zb线框颜色快捷键 | zb怎么框选

1. zb怎么框选

1、通过隐藏的方法将模型按组分开。在工作区拖拽出模型，Shift+Ctrl+Alt框选需要分组的部分，框选部分以红色 状态显示即是隐藏部分。2、按住shift+ctrl在空白处点一下，把模型全部显示出来。这样就成功的将一个模型分成按需要分成了两个组。3、通过遮罩的方法将模型按组分开。在工作区拖拽出模型，创建物体后按“T”或者激活Edit按钮进入编辑模式。Ctrl+鼠标左键遮罩需要分组的部分。4、在Tool工具栏中打开Polygroups界面，点击Group Masked按钮，按遮罩分组。

2. zb首选项

1、点击界面左侧雕刻笔出现所有雕刻笔种类，同时按下“Ctrl +Alt”不松手状态下单击需要自定义笔刷快捷键的笔刷图标（文中以‘Clay’笔刷为例），此时窗口上面会出现一排提示：按任意组合键指派自定义热键－或－按ESC或鼠标键取消－或－按删除键删除先前自定义指派。

2、一般而言，字母已被设置为快捷键，所以，我们选择1-9的数字来设置。随意按一个数字（这里按下数字1），如果出现提示“热键注释：自定义热键指派成功”显示成功的话就设置成功了，如果显示已经被设置的话就重新设置。

3、在任意笔刷状态下按下键盘上的1，则会切换至刚刚设置的‘Clay’笔刷，并且显示当前快捷键，如图所示。

4、若你设置的快捷键被占用，则会出现“抱歉，此热键已指派到另一界面项目”的提示说明，按确定之后当前笔刷热键会替换之前设置的笔刷热键。

5、设定笔刷快捷键完成之后，如果关闭软件再打开，那么之前的设置会默认恢复软件原始状态。

6、要想保存热键设置，单击［首选项］菜单＞[热键］面板＞[储存］按钮，即可将笔刷快捷键保存，如图所示。

7、如果想重新设置笔刷快捷键或想要删除，同样先按下Ctrl+Alt，单击想要删除快捷键的笔刷，松开Ctrl+Alt键，记得要松开哦，然后按下Delete键即可删除热键。

3. zb怎么框选删除

 zb没有删除隐藏的解决办法

利用遮罩删除物体的局部其实更多的是使用在生物体等不规则形体，比较灵活，你可以先遮罩区域（按住Ctr键直接在模型上绘制遮罩），然后，反选（按住Ctrl键，在视图区的空白区域单击鼠标左键）。然后选择visablity面板中的hidept。

2然后选择Visibility[清晰度]面板中的Hidept按钮。

 

3接着进入Subtool面板，先将Geometry中的细分级别降到最低，点击Split>split hidden[分裂>分裂隐藏]按钮。

4此时，从SubTool子工具中就能看到新增的遮罩部分的子工具。

5分离完后，想怎么删都行，而且原来的物体是保留级别和细节的。

以上就是zb没有删除隐藏解决办法的全部内容。

4. zb怎么框选隐藏

ctrl+shift+鼠标左键选择要显示的组，就会自动隐藏未选择部分

ctrl+shift+空白处点击显示全部

按住Shift键+Ctrl键，按住左键拖拽，绿色矩形框，显示框选部分。

5. zbrush怎么框选

1、打开雕刻画笔的种类，然后按住“ctrl+alt+鼠标左键点击所需要的笔刷”。窗口上面会出现一排提示，即：按任意键组合来指定自定义热键 -或- 按Esc键或鼠标按钮取消 -或者- 按delete键删除上一个自定义分配。

3、此时，字母已被设置为快捷键，选择1-9的数字来设置。随意按一个数字，如果出现提示“Hotkey Note：Custom hotkey assigned successfully”显示成功的话就设置成功了，如果显示已经被设置的话就重新设置。

3、若设置的快捷键被占用，则会出现“Hotkey Note：the same hotkey is already assigned to this interface item。”热键说明：同一热键已分配给该接口项目的提示说明。

6. zb怎么设置ui

在书法史上，小楷是从隶书出，也就是汉代就有了小楷书法的雏形了，小楷书法一般是指直径在1厘米到3厘米之间的楷书书法。

毛笔

一般用“七紫三羊”毛笔，直径6mm--7mm，出锋30mm--35mm。并且每个人的用笔习惯和用笔感觉不同，笔的大小是不同的。而且小楷也要看字是多大的小楷，是蚕豆大的字还是蝇头小楷，它们的用笔也会不同。注意：大笔可写小字，反之则不成。

制作毛笔笔头的原料以羊毛、黄鼠狼尾毛居多。笔头的材料不同，书写的效果也是不同的感觉。习笔之人皆知，黄鼠狼尾毛享有软黄金的美誉，十分珍贵。羊毫也不是随便就能凑合的。因此毛料选材很重要。

一支好的小楷毛笔应具备弹性好且耐用的特点。就平常比较难书写的撇、捺、钩，若想写的行云流水般酣畅淋漓，毛笔的弹性是良好手感的又一个因素。

古法制作流程，一支毛笔要经过独特的制作选料、理毛、去脂、去绒、齐毛、切料、混毛、剔毛、配料、梳衬、捲笔、披毫、上灰、绑等几十道工序的处理。有的工序要反复做十几遍甚至更多，才能保证品质的精良，从而达到尖、圆、齐、健等各大要求。

技巧

小楷书法深受书法爱好者的喜爱，其主要原因是它具备了人们对汉字书法的审美观点是一致的，作为小楷书法来说，它有点画精致、笔力刚劲、法度严谨、质朴简明的主要特点，这些特点在书法的书写上也反映了书写者的功力和技法水平，同时，也反映了书写者内在的气质所在。因此，小楷书法可以说是人的内心世界的反映，说明了书写者平和的气质、文静的心态和一定的审美与修养水平。小楷的点画在形态上是很富有变化的，相传钟繇小楷，点画各异，右军作字书，万字不同。为了便于初学者切实扼要的掌握此法，试图用比较通俗的语言作一些介绍。

一、点 法

点犹如人的眼睛，在字中起着点睛和相互映带的作用。小楷的点在用笔上有独立点和连带点两种类型；在形状上有三角点、小撇点、小提点和小竖点四种基本类型。

独立点

独立点，即单独存在，与其他笔画之间不做连接，但笔断意连。书写时要求笔尖落纸后轻灵果断，顺势收笔。收笔笔势直接朝向下一笔，以求相互呼应。如“之”“以”“为（爲）”“黯”等字

连带点

连带点，即点与点之间，或点、画之间有牵连，使得点、画之间更显气脉贯通，摇曳多姿。书写时要带一些行书弹跳笔意，用笔迅捷，一气呵成。如“烟”“则（則）”“终（終）”“樵”等字。

三角点、小撇点、小提点、小竖点

小楷作点以露锋居多，形状各异。三角点，露锋入笔向右下按笔铺毫，落点要轻，收笔时轻顿，迅速转锋回收；小撇点，侧锋入笔后向左下角快速收笔；小提点，下笔稍重向右上方逐渐提笔，动作不要太大，取仰势；小竖点即竖的缩写。下笔侧锋斜入，向下直行然后驻笔收锋。如图：“思”“六”“心”“堂”等字。

二、横 画

横画又称为勒，所谓勒有愈收愈紧之意，发笔时要逆入，收笔电动机回顾，行笔时要意有所顾，逆势涩进，《禁经》所谓“画如长锥之界石”喻其不可太光滑浮薄之意。

凡写长画，当于不平中求平，使其画势上平而下呈拱状，就象一只覆舟之样，切忌上平下亦平，则板刻之弊立见，柳宗元《八法颂》中说：“勒常患平”即是此意。

横画又要贵于变化，陈绎曾《翰林要诀》中说：“凡平画忌如算子，终篇展玩，不见横画，始是书法。”所谓不见横画即是指无平行齐头，板刻凝滞之笔。

长横

长横一般两头粗中间细，45度角左右露锋入笔，行笔至三分之一处逐渐开始提笔变细，略带弧意，尾部45度角左右圆转迅速收锋。长横用笔需果断自然，轻重缓急，起伏有度。如图：“晋”“右”“古”“军”等字。

短横

短横一般分为平横和左尖横两种。

平横短小，粗细基本一致，没有太大的提按变化；左尖横，尖锋入笔后按笔圆收，呈左边尖细右边粗圆体态，虚实相生。小短横与左尖横的用笔都要轻灵洒脱。如“天”“王”“夫”“其”等字。

三、竖

凡写竖画，当于曲势中求挺拔，则见笔力。古人称竖画为努法，努有用力之意。李溥光《雪庵八法》中说：“努之为法，用弯行曲扭，如挺千斤之力。”这是一种富有弹性和力度的曲线之美，或向、或背、或背中有向，或向中有背，或势直而局部曲，最不可板滞，故柳宗元《八法颂》中说：“努过直则力败。”就是这个意思。竖一般分为两种。一种是悬针竖，一种是垂露竖。

四、折

小楷的折笔分为两种。一种是方折，一种是圆折。方折用顿笔，棱角分明，骨力外露；圆折用转笔，婉转通畅，含蓄内敛。如“争”“里”“即”“国”等字。

五、长撇

长撇，古人又称之为“掠”法。

古人云：“掠如篦之掠发，此乃斜悬针而末锋飞起，宜出锋处送笔力到而匀，不可半途击出，则无力而瘦弱”。故作掠之法，颈部要细，腰部微弯曲，宜肥劲有力。颜真卿《八法颂》说：“掠仿佛以宜肥”。出锋时当以腕送，饱满尖锐，万不可作虚尖斜拂之状。

六、短撇

短撇，古人称之为“啄”法。

“啄”者，如鸟之啄物，锐而且速，喻其用笔当迅捷、爽利、明快。陈绎曾《翰林要诀》中说：“点首撇尾，左出微仰，如鸟喙之啄物”。

七、捺

作捺之法，一波三折，势宜开张。李溥光《雪庵八法》中说：“险横三过，而开揭其势力。”行笔宜抑扬顿挫，不徐不疾，从容不迫。收笔时，须笔战行右出，意即写捺角时笔画满捺，已带侧势，须用腕法带动笔锋，逐步衄挫，边走边提，将锋提到离纸之时。

唐太宗《笔法论》中说：“磔须战笔发外，得意徐乃出之。”所谓“得意”即收笔时能将笔锋收归画中。

小楷的捺一般分直捺、曲捺和反捺三种。

斜捺

斜捺露起露收，入笔带虚尖，然后向右下方行笔，笔毫斜铺展开，出捺角时顿笔平收。直捺显阳刚率真。如“人”“受”等字。

平捺

平捺有前后都露锋和前后都藏锋等多种写法。无论何种写法，用笔都强调一波三折，灵活舒展。如“之”“道”等字。

反捺

反捺和斜捺相反，一收一放。反捺，尖锋入纸后向右下方逐渐按笔加重，后转笔藏收。反捺不出锋，显含蓄内敛。如“衣”“破”等字。

八、挑

挑画多用在字的左边，其势向右上斜出，与右边的点画相策应，形成相背拱揖的笔势。下笔稍重，斜向右上方行笔，出锋稍快，取仰势。挑画书写时注意笔速不要过慢，过慢容易滞板。如“林”“或”“法”“经”等字。

九、钩

钩法，古人谓之趯法，有跳跃之意，陈思《八法详说》中说：“趯须蹲锋得势而出，出则暗收”。

所谓蹲锋，即出钩之前先向下作一快速的按笔动作，如人跳高时跃起前的半蹲动作一样，所谓“得势而出”即指蹲锋后在恰到好处时迅速出钩，不可迟疑，若佇思稍息则神纵不坠矣，出钩时要力送到笔尖，钩要饱满，不可虚尖怯露。

硬笔

字的间架结构好坏，直接影响其美观、气质。硬笔书法独体字的书法结构较难掌握，需要注意整个字的整体美感、主笔、副笔的区分。

技巧

一、点

硬笔楷书点画的基本写法，轻轻的起笔，逐渐加力，停顿一下，再回峰。回峰对于硬笔来说，幅度不宜过大，往往只是一个动作。

右点：下笔轻，由轻到中向右下行笔，稍按后即收笔，不能重描，一次成画。关键要有行笔过程，万不可笔尖一着纸就收笔。

左点：起笔露锋，行笔的笔锋向左，边行边按，收笔藏锋。注意，收笔时向右回峰收笔，即藏锋。

二、横

横画在汉字中起着横梁般的作用，它的长短变化则平衡整个汉字结构，因此，既要坚挺扎实，又要生动活泼。写横画不论长短，为适合人的视觉效果，都要写得左低右高，略带斜势。

短横：写法是轻起笔，向右逐渐用力，最后轻顿笔回锋收笔，左低右高，左细右粗。

长横：写时起笔作顿，然后向右上行笔，结束处顿笔回锋收笔。由于两头用笔重，行笔慢，中间用笔轻，行笔快，往往写出来的长横就是两头粗，中间细，中间平直的地方略带弧度。

三、竖

垂露竖：起笔向右下方顿笔，向下垂直行笔，不宜过用力，收笔时，顿笔回峰。注意：回峰方向，要根据下一笔的位置来定回峰方向。短竖书写方法相同。

悬针竖：右下落笔，用力下按，转锋向下运行，力度由重到轻，根据字体大小，大概四分之三处提笔出锋。注意，根据要写的字的大小来判断竖笔的长短。

四、撇

斜撇，起笔稍顿笔，收笔处要出锋。行笔速度由慢到快，如小鸟俯冲路过水面。形状上“前直后弯”要注意倾斜角度。

竖撇，书写方法同短撇，运笔稍长，方向先垂直向下，四分之三处提笔撇出收笔。注意：弧度的把控。

五、捺

捺分为斜捺和平捺，书写方法相同，斜捺，下笔较轻(轻落笔)，向右下由轻到重行笔，行至捺脚处重按笔，然后向右水平方向由重到轻提笔拖出，收笔要出尖。平捺，起笔向右运笔，相当于写一个小短横，再向右下方运笔，出尖前按笔向右出锋提笔，锋不宜太长。

钢笔楷书的特点是：用笔有提顿、藏露、方圆、快慢等讲究；笔画起收有序、笔笔分明、坚实有力、停而不断、直而不僵、流畅自然;结构上强调笔画和部首均衡分布、重心平稳、比例适当、字型端正、合乎规范。

练习

选择合适的字帖临摹

要练习小楷了，首先至少得准备一本小楷字帖。历史上的小楷名家如王羲之、钟繇、赵孟頫、文征明等，多不胜数，自己可以从网上查看这些名家的小楷作品，选择一本自己喜欢的字帖作为范本。好的范本选择很关键，古人讲：取法乎上得乎其中。所以我们建议选小楷字帖时最好选清代以前名家小楷范本。

文征明《摩诃般若波罗蜜多心经》

从易到难坚持练习

练习方法：首先从《灵飞经》、《黄庭经》、《汲黯传》等名家小楷帖子入手比，因为是最历史上经典的，代表小楷的高峰，建议首先通临，找出规律，再从笔画精细出下工夫，然后是单个字关注结构，还有就是运笔初学恪守：指实掌虚，指死腕活。先守住这8个字，坚持一段时间再慢慢灵活用笔，达到死去活来的效果。

对于初学者来说，好的书法工具无异于雪里送炭。可以帮助学习者更快的取得学习书法进步 ，对于有一定基础的书法爱好者来说则是锦上添花，更能发挥出应有的水平。所以悉心选择好自己心仪的法帖，选择好的毛笔，适合自己的纸质。这个过程本身就是一件令人赏心悦目的快事！再加上个人冬去春来，日积月累的坚持临习，就一定会练出有功底的漂亮小楷的。

%3Chowto_content%3E[{"type":"paragraph","attrs":{"is_abstract":true},"children":[{"type":"text","text":"在书法史上，小楷是从隶书出，也就是汉代就有了小楷书法的雏形了，小楷书法一般是指直径在1厘米到3厘米之间的楷书书法。","id":""}],"text":"","id":"doxcnMQ6KqmQ48iw6MnXWnfc9qh"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"毛笔","id":""}],"text":"","id":"doxcn4G2YgQSsIaGUaoBjBoC96e"},{"type":"paragraph","children":[{"type":"text","text":"一般用“七紫三羊”毛笔，直径6mm--7mm，出锋30mm--35mm。并且每个人的用笔习惯和用笔感觉不同，笔的大小是不同的。而且小楷也要看字是多大的小楷，是蚕豆大的字还是蝇头小楷，它们的用笔也会不同。注意：大笔可写小字，反之则不成。","id":""}],"text":"","id":"doxcngmaq2KGeMgkkYhrvSniwzf"},{"type":"image","attrs":{"height":640,"note":[{"type":"text","text":"毛笔","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/0fe33972b28f4ac0a692262619016704","width":640},"text":"","id":"doxcn0wYwSGCG2UqE8jr6T2HkOe"},{"type":"paragraph","children":[{"type":"text","text":"制作毛笔笔头的原料以羊毛、","id":""},{"type":"text","text":"黄鼠狼尾毛居多。","id":""},{"type":"text","text":"笔头的材料不同，书写的效果也是不同的感觉。习笔之人皆知，黄鼠狼尾毛享有软黄金的美誉，十分珍贵。羊毫也不是随便就能凑合的。因此毛料选材很重要。","id":""}],"text":"","id":"doxcnYiyakWMGqI6WAzKw7jKDef"},{"type":"image","attrs":{"height":777,"note":[{"type":"text","text":"毛笔","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e517c080042b467f911826f52988a905","width":640},"text":"","id":"doxcnIeqo6og0C2gkmUyEW6rOmh"},{"type":"paragraph","children":[{"type":"text","text":"一支好的小楷毛笔应具备弹性好且耐用的特点。就平常比较难书写的撇、捺、钩，若想写的行云流水般酣畅淋漓，毛笔的弹性是良好手感的又一个因素。","id":""}],"text":"","id":"doxcniyWECaCAQ4CI8WJxGWcKJb"},{"type":"image","attrs":{"height":832,"note":[{"type":"text","text":"毛笔","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/8820c29ffe3d44d28abab6d4ab3170a3","width":640},"text":"","id":"doxcnI0y6084y0IaCswiXPsIm4l"},{"type":"paragraph","children":[{"type":"text","text":"古法制作流程，一支毛笔要经过独特的制作选料、理毛、去脂、去绒、齐毛、切料、混毛、剔毛、配料、梳衬、捲笔、披毫、上灰、绑等几十道工序的处理。有的工序要反复做十几遍甚至更多，才能保证品质的精良，从而达到尖、圆、齐、健等各大要求。","id":""}],"text":"","id":"doxcnQgyA84sGGiM6GGZwczRyCb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"技巧","id":""}],"text":"","id":"doxcnCUCuSSSQWweccj4WFLZb1c"},{"type":"paragraph","children":[{"type":"text","text":"小楷书法深受书法爱好者的喜爱，其主要原因是它具备了人们对汉字书法的审美观点是一致的，作为小楷书法来说，它有点画精致、笔力刚劲、法度严谨、质朴简明的主要特点，这些特点在书法的书写上也反映了书写者的功力和技法水平，同时，也反映了书写者内在的气质所在。因此，小楷书法可以说是人的内心世界的反映，说明了书写者平和的气质、文静的心态和一定的审美与修养水平。小楷的点画在形态上是很富有变化的，相传钟繇小楷，点画各异，右军作字书，万字不同。为了便于初学者切实扼要的掌握此法，试图用比较通俗的语言作一些介绍。","id":""}],"text":"","id":"doxcn6mwoECaAQ8iAyxxBMdDo4h"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"一、点 法","id":""}],"text":"","id":"doxcnq6CMmmG86OoY21nbgxcUnf"},{"type":"paragraph","children":[{"type":"text","text":"点犹如人的眼睛，在字中起着点睛和相互映带的作用。小楷的点在用笔上有独立点和连带点两种类型；在形状上有三角点、小撇点、小提点和小竖点四种基本类型。","id":""}],"text":"","id":"doxcnkGiQgeyeMGgIYjIlaN8bHe"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"独立点","id":""}],"text":"","id":"doxcn2YWWa088OUusQVRWBijB5d"},{"type":"paragraph","children":[{"type":"text","text":"独立点，即单独存在，与其他笔画之间不做连接，但笔断意连。书写时要求笔尖落纸后轻灵果断，顺势收笔。收笔笔势直接朝向下一笔，以求相互呼应。如“之”“以”“为（爲）”“黯”等字","id":""}],"text":"","id":"doxcnKyaQawIkomoIgHvFplxGHb"},{"type":"image","attrs":{"height":179,"note":[{"type":"text","text":"独立点","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/d454bf40137346fd8de5f160e803f05c","width":699},"text":"","id":"doxcnMswGKMuY8iOwm2l69DboYb"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"连带点","id":""}],"text":"","id":"doxcnAyoIAO82E6OyKQ5LkbQClc"},{"type":"paragraph","children":[{"type":"text","text":"连带点，即点与点之间，或点、画之间有牵连，使得点、画之间更显气脉贯通，摇曳多姿。书写时要带一些行书弹跳笔意，用笔迅捷，一气呵成。如“烟”“则（則）”“终（終）”“樵”等字。","id":""}],"text":"","id":"doxcn2QuesKUi2CyawJWci2g1tc"},{"type":"image","attrs":{"height":199,"note":[{"type":"text","text":"连带点","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f84920140f8e4d6b8f7cc8ecc1d71233","width":701},"text":"","id":"doxcn0Iiu0eI0AEiCcp9L0f7Obd"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"三角点、小撇点、小提点、小竖点","id":""}],"text":"","id":"doxcnccQ2y4uKQUqaOEtxKWZyMg"},{"type":"paragraph","children":[{"type":"text","text":"小楷作点以露锋居多，形状各异。三角点，露锋入笔向右下按笔铺毫，落点要轻，收笔时轻顿，迅速转锋回收；小撇点，侧锋入笔后向左下角快速收笔；小提点，下笔稍重向右上方逐渐提笔，动作不要太大，取仰势；小竖点即竖的缩写。下笔侧锋斜入，向下直行然后驻笔收锋。如图：“思”“六”“心”“堂”等字。","id":""}],"text":"","id":"doxcnKcEYwCQOu4O2mC1RxWhuKg"},{"type":"image","attrs":{"height":166,"note":[{"type":"text","text":"三角点、小撇点、小提点、小竖点","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/70831c7bafac40ab90e51dc0082a9f1f","width":705},"text":"","id":"doxcnaQ8yyQEymoEEMfZnfFjvJb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二、横 画","id":""}],"text":"","id":"doxcnGc0s20OSYOsGiuCcNBTamb"},{"type":"paragraph","children":[{"type":"text","text":"横画又称为勒，所谓勒有愈收愈紧之意，发笔时要逆入，收笔电动机回顾，行笔时要意有所顾，逆势涩进，《禁经》所谓“画如长锥之界石”喻其不可太光滑浮薄之意。","id":""}],"text":"","id":"doxcnQy0E6YAciwWEY3fJBUUWOg"},{"type":"paragraph","children":[{"type":"text","text":"凡写长画，当于不平中求平，使其画势上平而下呈拱状，就象一只覆舟之样，切忌上平下亦平，则板刻之弊立见，柳宗元《八法颂》中说：“勒常患平”即是此意。","id":""}],"text":"","id":"doxcnsweUwKwY4Iwqqszz2DjxCb"},{"type":"paragraph","children":[{"type":"text","text":"横画又要贵于变化，陈绎曾《翰林要诀》中说：“凡平画忌如算子，终篇展玩，不见横画，始是书法。”所谓不见横画即是指无平行齐头，板刻凝滞之笔。","id":""}],"text":"","id":"doxcncUUKKcymuwmsG4Uk3r3qqe"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"长横","id":""}],"text":"","id":"doxcniwMEcKcyyKEIpZAMM4FvpN"},{"type":"paragraph","children":[{"type":"text","text":"长横一般两头粗中间细，45度角左右露锋入笔，行笔至三分之一处逐渐开始提笔变细，略带弧意，尾部45度角左右圆转迅速收锋。长横用笔需果断自然，轻重缓急，起伏有度。如图：“晋”“右”“古”“军”等字。","id":""}],"text":"","id":"doxcnG0Ag0ySK0ceUFaoqWgTViz"},{"type":"image","attrs":{"height":162,"note":[{"type":"text","text":"长横","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/450903481f6b482db1ca439709351ba3","width":686},"text":"","id":"doxcnEiSgg8UkkKWWic583Tvned"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"短横","id":""}],"text":"","id":"doxcnKCMi0yQa2sem2RG2FVhtVh"},{"type":"paragraph","children":[{"type":"text","text":"短横一般分为平横和左尖横两种。","id":""}],"text":"","id":"doxcngaQkqCSyUQ8s54yadfqlpZ"},{"type":"paragraph","children":[{"type":"text","text":"平横短小，粗细基本一致，没有太大的提按变化；左尖横，尖锋入笔后按笔圆收，呈左边尖细右边粗圆体态，虚实相生。小短横与左尖横的用笔都要轻灵洒脱。如“天”“王”“夫”“其”等字。","id":""}],"text":"","id":"doxcnCMMa4SK68wwWExG5D1mn9c"},{"type":"image","attrs":{"height":156,"note":[{"type":"text","text":"短横","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/00f03a55e1d9457da03872abfe39a3d7","width":701},"text":"","id":"doxcnwasYMcUSISy6sr51N3PvOb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"三、竖","id":""}],"text":"","id":"doxcn6sGiccUaos6sotEK3QkrRg"},{"type":"paragraph","children":[{"type":"text","text":"凡写竖画，当于曲势中求挺拔，则见笔力。古人称竖画为努法，努有用力之意。李溥光《雪庵八法》中说：“努之为法，用弯行曲扭，如挺千斤之力。”这是一种富有弹性和力度的曲线之美，或向、或背、或背中有向，或向中有背，或势直而局部曲，最不可板滞，故柳宗元《八法颂》中说：“努过直则力败。”就是这个意思。竖一般分为两种。一种是悬针竖，一种是垂露竖。","id":""}],"text":"","id":"doxcnQ2kIiYUgGYemg1duMtaxxe"},{"type":"image","attrs":{"height":153,"note":[{"type":"text","text":"三、竖","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/e659a2404f134a3c8ed3addbafad38aa","width":700},"text":"","id":"doxcn0Oo4gQ42CQ6GuQKgDn3t3f"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"四、折","id":""}],"text":"","id":"doxcnYMEyiOSIWqEYQzMhWvFDjc"},{"type":"paragraph","children":[{"type":"text","text":"小楷的折笔分为两种。一种是方折，一种是圆折。方折用顿笔，棱角分明，骨力外露；圆折用转笔，婉转通畅，含蓄内敛。如“争”“里”“即”“国”等字。","id":""}],"text":"","id":"doxcnSK0QGIIaCYmuKuIDrXPAHb"},{"type":"image","attrs":{"height":166,"note":[{"type":"text","text":"四、折","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/b7d887a2428a4a849f18f8c3f77fca16","width":697},"text":"","id":"doxcn0ECYuyCq82okEfnURHIH7c"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"五、长撇","id":""}],"text":"","id":"doxcnM0eY2k22ECgOmQb7T7zbdc"},{"type":"paragraph","children":[{"type":"text","text":"长撇，古人又称之为“掠”法。","id":""}],"text":"","id":"doxcnCACOIWoWQiY6aYrEjokYVe"},{"type":"paragraph","children":[{"type":"text","text":"古人云：“掠如篦之掠发，此乃斜悬针而末锋飞起，宜出锋处送笔力到而匀，不可半途击出，则无力而瘦弱”。故作掠之法，颈部要细，腰部微弯曲，宜肥劲有力。颜真卿《八法颂》说：“掠仿佛以宜肥”。出锋时当以腕送，饱满尖锐，万不可作虚尖斜拂之状。","id":""}],"text":"","id":"doxcn42Eq82aomui4WwrFDATGph"},{"type":"image","attrs":{"height":161,"note":[{"type":"text","text":"五、长撇","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/21566209263941b887b8a27710b50e09","width":695},"text":"","id":"doxcnOmkEKk4IoIGmoYhAPcWQob"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"六、短撇","id":""}],"text":"","id":"doxcnIyiYYOcWgaKKQtEhBPdaec"},{"type":"paragraph","children":[{"type":"text","text":"短撇，古人称之为“啄”法。","id":""}],"text":"","id":"doxcne6Q2IkC62kGEYVRi7Ikysc"},{"type":"paragraph","children":[{"type":"text","text":"“啄”者，如鸟之啄物，锐而且速，喻其用笔当迅捷、爽利、明快。陈绎曾《翰林要诀》中说：“点首撇尾，左出微仰，如鸟喙之啄物”。","id":""}],"text":"","id":"doxcnayO2QQameiuER26LBP5hud"},{"type":"image","attrs":{"height":853,"note":[{"type":"text","text":"六、短撇","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/5374b91de1c04f65bcad567dbadcfe8c","width":720},"text":"","id":"doxcn4kAwiimysAAMamDv0G4nCc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"七、","id":""},{"type":"text","text":"捺","id":""}],"text":"","id":"doxcnACccESOeqkQUTdq9GTY1fx"},{"type":"paragraph","children":[{"type":"text","text":"作捺之法，一波三折，势宜开张。李溥光《雪庵八法》中说：“险横三过，而开揭其势力。”行笔宜抑扬顿挫，不徐不疾，从容不迫。收笔时，须笔战行右出，意即写捺角时笔画满捺，已带侧势，须用腕法带动笔锋，逐步衄挫，边走边提，将锋提到离纸之时。","id":""}],"text":"","id":"doxcnuWwoI4yw2i6I4Lc5G4Ir5f"},{"type":"paragraph","children":[{"type":"text","text":"唐太宗《笔法论》中说：“磔须战笔发外，得意徐乃出之。”所谓“得意”即收笔时能将笔锋收归画中。","id":""}],"text":"","id":"doxcn0UW2Gcyk4UMIo1XTZ6oXqf"},{"type":"paragraph","children":[{"type":"text","text":"小楷的捺一般分直捺、曲捺和反捺三种。","id":""}],"text":"","id":"doxcnYsWaIuaaGSkuakt5EOinQg"},{"type":"image","attrs":{"height":129,"note":[{"type":"text","text":"七、","id":""},{"type":"text","text":"捺","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/658a14bff0a749548eb7a71865962d7f","width":709},"text":"","id":"doxcnwO6qIGswOWk8UjniF74Yhd"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"斜捺","id":""}],"text":"","id":"doxcn8UIAqU8CoWsygjRIsZKyyf"},{"type":"paragraph","children":[{"type":"text","text":"斜捺露起露收，入笔带虚尖，然后向右下方行笔，笔毫斜铺展开，出捺角时顿笔平收。直捺显阳刚率真。如“人”“受”等字。","id":""}],"text":"","id":"doxcno6Is6YiwWICELzNiILI7HM"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"平捺","id":""}],"text":"","id":"doxcnusYImocq8KGYO845jxfJCe"},{"type":"paragraph","children":[{"type":"text","text":"平捺有前后都露锋和前后都藏锋等多种写法。无论何种写法，用笔都强调一波三折，灵活舒展。如“之”“道”等字。","id":""}],"text":"","id":"doxcnOS0Q4mUcgQasoMKFzuV7ib"},{"type":"heading","attrs":{"level":4},"children":[{"type":"text","text":"反捺","id":""}],"text":"","id":"doxcnQymMayQSCQYCyA1Xku4Cch"},{"type":"paragraph","children":[{"type":"text","text":"反捺和斜捺相反，一收一放。反捺，尖锋入纸后向右下方逐渐按笔加重，后转笔藏收。反捺不出锋，显含蓄内敛。如“衣”“破”等字。","id":""}],"text":"","id":"doxcnuCMuG4UwmmoOGyXKs94iUb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"八、挑","id":""}],"text":"","id":"doxcnAEGkSac6eKI2iMbmSjU1hh"},{"type":"paragraph","children":[{"type":"text","text":"挑画多用在字的左边，其势向右上斜出，与右边的点画相策应，形成相背拱揖的笔势。下笔稍重，斜向右上方行笔，出锋稍快，取仰势。挑画书写时注意笔速不要过慢，过慢容易滞板。如“林”“或”“法”“经”等字。","id":""}],"text":"","id":"doxcn4SyWQqsqmw8CGyURUXrpqf"},{"type":"image","attrs":{"height":152,"note":[{"type":"text","text":"八、挑","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/278d12a275df4f5097b69321c3032bd9","width":691},"text":"","id":"doxcnUG0Yuuc4AuIq4ND6SmF2sg"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"九、","id":""},{"type":"text","text":"钩","id":""}],"text":"","id":"doxcnUiGq66K8IiaUwrpzjiHvad"},{"type":"paragraph","children":[{"type":"text","text":"钩法，古人谓之趯法，有跳跃之意，陈思《八法详说》中说：","id":""},{"type":"text","text":"“趯须蹲锋得势而出，出则暗收”。","id":""}],"text":"","id":"doxcnEkucaq2GAs0eYsnyoQozDP"},{"type":"paragraph","children":[{"type":"text","text":"所谓蹲锋，即出钩之前先向下作一快速的按笔动作，如人跳高时跃起前的半蹲动作一样，所谓“得势而出”即指蹲锋后在恰到好处时迅速出钩，不可迟疑，若佇思稍息则神纵不坠矣，出钩时要力送到笔尖，钩要饱满，不可虚尖怯露。","id":""}],"text":"","id":"doxcnyAQ2A2CWcA6cuIKkfWh5we"},{"type":"image","attrs":{"height":122,"note":[{"type":"text","text":"九、","id":""},{"type":"text","text":"钩","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/80a91b61b91f4e9a87839ca75114c40f","width":713},"text":"","id":"doxcngge4EAI8kkUy6bEkT5v4Nd"},{"type":"heading","attrs":{"level":1},"children":[{"type":"text","text":"硬笔","id":""}],"text":"","id":"doxcnmiIwkCYKkwmIeYyqtmkQ5e"},{"type":"paragraph","children":[{"type":"text","text":"字的间架结构好坏，直接影响其美观、气质。硬笔书法独体字的书法结构较难掌握，需要注意整个字的整体美感、主笔、副笔的区分。","id":""}],"text":"","id":"doxcn4wOGUkiCUiUqCapAEhOwBD"},{"type":"image","attrs":{"height":488,"note":[{"type":"text","text":"硬笔","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/97ebe6591c664a4285fb23b76e27daa2","width":701},"text":"","id":"doxcni4s6Quugm2SueOyzEpA8Tb"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"技巧","id":""}],"text":"","id":"doxcnGwsC4Ic8uy6ayI3YoISCwb"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"一、点","id":""}],"text":"","id":"doxcnKeIaiWWCkoGkcECC7vxMTH"},{"type":"paragraph","children":[{"type":"text","text":"硬笔楷书点画的基本写法，轻轻的起笔，逐渐加力，停顿一下，再回峰。回峰对于硬笔来说，幅度不宜过大，","id":""},{"type":"text","text":"往往只是一个动作。","id":""}],"text":"","id":"doxcnScuWeaIwMyCeOgjsZpNcoh"},{"type":"paragraph","children":[{"type":"text","text":"右点：下笔轻，由轻到中向右下行笔，稍按后即收笔，不能重描，一次成画。关键要有行笔过程，万不可笔尖一着纸就收笔。","id":""}],"text":"","id":"doxcnOeWWC62IcGKs0A29iKXXfg"},{"type":"image","attrs":{"height":278,"note":[{"type":"text","text":"一、点","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/26862a2fa2774e1caa83a4faeb7aa5cb","width":573},"text":"","id":"doxcnK2emKuEIyOw0uQHPoQnFCb"},{"type":"paragraph","children":[{"type":"text","text":"左点：起笔露锋，行笔的笔锋向左，边行边按，收笔藏锋。注意，收笔时向右回峰收笔，即藏锋。","id":""}],"text":"","id":"doxcn6QSAO84mQw4OcNiUaBYfoT"},{"type":"image","attrs":{"height":246,"note":[{"type":"text","text":"一、点","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/08806c29d669457c87cddfa4515fc97a","width":566},"text":"","id":"doxcn2CkqisawEyek2VpSpcuZjc"},{"type":"heading","attrs":{"level":3},"children":[{"type":"text","text":"二、横","id":""}],"text":"","id":"doxcnQq84oWwyguaueqXVeVPXSf"},{"type":"paragraph","children":[{"type":"text","text":"横画在汉字中起着横梁般的作用，它的长短变化则平衡整个汉字结构，因此，既要坚挺扎实，又要生动活泼。写横画不论长短，为适合人的视觉效果，都要写得左低右高，略带斜势。","id":""}],"text":"","id":"doxcnMeUsEaUAG6Q6eyhQso5fYc"},{"type":"paragraph","children":[{"type":"text","text":"短横：写法是轻起笔，向右逐渐用力，最后轻顿笔回锋收笔，左低右高，左细右粗。","id":""}],"tex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文征明《摩诃般若波罗蜜多心经》","id":""}],"text":"","id":"doxcnuUQqgQSEo8CswbTdIJcY3g"},{"type":"heading","attrs":{"level":2},"children":[{"type":"text","text":"从易到难坚持练习","id":""}],"text":"","id":"doxcn2sCu2oK2iiMAk9AxJQ54md"},{"type":"paragraph","children":[{"type":"text","text":"练习方法：首先从《灵飞经》、《黄庭经》、《汲黯传》等名家小楷帖子入手比，因为是最历史上经典的，代表小楷的高峰，建议首先通临，找出规律，再从笔画精细出下工夫，然后是单个字关注结构，还有就是运笔初学恪守：指实掌虚，指死腕活。先守住这8个字，坚持一段时间再慢慢灵活用笔，达到死去活来的效果。","id":""}],"text":"","id":"doxcnCKAUoscIOUQC0j34H6Z5XS"},{"type":"image","attrs":{"height":854,"note":[{"type":"text","text":"从易到难坚持练习","id":""}],"url":"https://p3.douyinpic.com/large/tos-cn-i-qvj2lq49k0/f2e6b7c83dcb4a77951536390812751d","width":730},"text":"","id":"doxcnMsgmSomYa46u8BCdZASPpg"},{"type":"paragraph","children":[{"type":"text","text":"对于初学者来说，好的书法工具无异于雪里送炭。可以帮助学习者更快的取得学习书法进步 ，对于有一定基础的书法爱好者来说则是锦上添花，更能发挥出应有的水平。所以悉心选择好自己心仪的法帖，选择好的毛笔，适合自己的纸质。这个过程本身就是一件","id":""},{"type":"text","text":"令人赏心悦目的快事！","id":""},{"type":"text","text":"再加上个人冬去春来，日积月累的坚持临习，就一定会练出有功底的漂亮小楷的。","id":""}],"text":"","id":"doxcnuuMwwo0ee6qCm3Izx2A29g"}]%3C%2Fhowto_content%3E